Art at the Tudor Courts, 1485-1603
Code | School | Level | Credits | Semesters |
HART2036 | Cultural, Media and Visual Studies | 2 | 20 | Autumn UK |
- Code
- HART2036
- School
- Cultural, Media and Visual Studies
- Level
- 2
- Credits
- 20
- Semesters
- Autumn UK
Summary
This course will provide an introduction to visual art at the Tudor courts, from the accession of Henry VII in 1485 to the death of Elizabeth I in 1603. In doing so, it takes account of a wide range of art forms, from portraiture to pageantry, jewellery to the book. Key issues dealt with in lectures and seminars include contemporary theories of visuality and monarchy, the particular context of court culture, and the use of visual material in the service of self -fashioning. It considers the impact of major historical developments including the reformation and the advent of print. As such, the relationship of the arts to politics is a key theme. Through exploring the highly sophisticated uses of visual art at the Tudor courts, the course seeks to re-evaluate the common idea that English art at the time was isolationist and inferior to that of continental Europe.
Target Students
Only available for History of Arts students and Liberal Arts students. Also available for CMVS Exchange students.
Classes
- One 1-hour seminar each week for 10 weeks
- One 2-hour lecture each week for 10 weeks
Assessment
- 100% Coursework: 3,000 words portfolio of written work and equivalent
Assessed by end of autumn semester
Educational Aims
To examine the importance of imagery as a vehicle of propaganda of various kinds; to consider the importance of display to European Renaissance Courts, and the different ways in which objects such as medals and clothing can be used as indicators of rank; to consider the relationship between political centres; to discuss Renaissance diplomacy; to examine the importance of women both as patrons of art and as subjects of art at court; magnificence as a courtly virtue.Learning Outcomes
Knowledge and Understanding:
To be able to explain and interpret different art historical points of view and methods regarding the study of the English Renaissance Courts
To have a broad and comparative knowledge and understanding of aspects of imagery produced for the elite classes of princes
To have a clear sense of the different kinds of visual and literary material examined for this module
To think critically about the importance of the representation of the "prince" as an ideal ruler
To have the ability to deploy productive criticism of familiar artefacts and arguments
To develop interdisciplinarity
To have a clear sense of the different kinds of material they examine, whether visual or textual, and be able to distinguish between primary and secondary sources
Students will have been introduced to different kinds of material, both visual and textual
Professional and Practical Skills:
To develop skills working both independently and as part of a group through participation in seminar discussions. To use IT to access art historical sources and information, and to complete historical assignments
Transferable (key) Skills:
The ability to articulate historical knowledge; to analyse visual evidence; to read texts critically; to develop reasoned argument through essays and seminar discussions
Professional Practical Skills:
Plan, research and write up assignments
Use IT to access art historical sources and information
Select, sift and synthesize information from a wide range of sources
Identify and compare key arguments in primary and/or secondary source materials
Demonstrate independence of judgement
Use IT to word process assignments
Transferable (key) Skills:
Work and learn actively with others in a group-work situation
Oral communication skills
Use IT for research purposes
Express themselves clearly, coherently and fluently in writing through essays and reports
Give a clear, fluent and well-structured oral presentation
Work and learn actively with others
Manage and take responsibility for their own learning